Davy Maguire with Claire Hawes and Martin MacDonald, headlining the FluteFling Aberdeen concert. Photo (c) John Crawford, used with permission.
First FluteFling Aberdeen weekend fuels appetite for more
Gordon Turnbull with Kenny Hadden
The first weekend of November saw Scottish traditional flute players gather together for the first FluteFling Aberdeen weekend. The event was supported by Tasgadh funding and saw 16 people attend the workshops with others also attending the Saturday night concert and weekend sessions.
Davy Maguire (c) John Crawford
Davy Maguire came over from Belfast and Sharon Creasey from Dumbarton, to teach, perform and encourage others as part of the ongoing Scottish traditional flute revival. Workshop students came from Aberdeen, Stonehaven, Brechin, Stirling and Edinburgh and local tutor and FluteFling colleague Kenny Hadden, assisted by Gordon Turnbull, ensured everything ran smoothly, from sessions to workshop and concert. The event took place almost exactly 16 years after the original one in 2001 that has inspired four years of FluteFling weekends.
An underlying theme connected the music of Northern Ireland with that of Scotland as Sharon’s extensive knowledge of the music of County Fermanagh complemented Davy’s own experience as a musician and flute teacher. The overlapping blends between strathspeys, highlands and barndances dance forms apparent to all and as tunes were shared over the weekend, the variations that emerged seemed to endlessly stimulate the recollection of others.
Friday saw people gather for tunes in The Blue Lamp, which was also the centre of Saturday evening’s activities and a supporter of the weekend’s events.
Davy Maguire explaining a finer point of technique (c) Gordon Turnbull
At the Saturday workshop, Davy Maguire taught a Scottish jig, a Highland from Donegal (which one of the Aberdeen students identified as a strathspey originally from Orkney), and a reel composed by Shetland fiddler Tom Anderson. Sharon Creasey taught 4 tunes — a 6/8 pipe march from the Willie Ross collection of 1875, a reel by Scott Skinner, a jig from the Northumberland tradition, and a jig from Co. Donegal. The afternoon ended with a question and answer session led by Davy, which rounded up the loose threads from the day.
The selection of tunes was fairly wide-ranging, and quite challenging, but the students enjoyed being pushed a bit in their abilities, and also the variety of tunes which were taught and demonstrated. The high standard of the teaching and levels of encouragement from the tutors was commented upon by several.
Saturday concert and session
The Aberdeen Traditional Flute Players led by Kenny Hadden (c) Gordon Turnbull
The Saturday concert upstairs at The Blue Lamp opened with the Aberdeen Traditional Flute Players playing some tune selections. The ensemble was led by Kenny Hadden and comprised of people who have attended his flute classes at Scottish Culture and Tradition (SCAT) in Aberdeen. They were ably accompanied by Claire Hawes (bodhrán) and Martin MacDonald (guitar), who also accompanied others throughout the evening. Watch out for more from the flute group in the future and thanks to Claire and Martin for their support too. Kenny, hard working all weekend, went on to perform a solo set and was joined by John Crawford for a flute duet.
Malcolm and Janice Reavell (c) John Crawford
Local flute player and composer Malcolm Reavell followed, with Janice Reavell on guitar, playing a fine set of rare tunes and some of his own compositions. Gordon Turnbull played a mixture of traditional tunes as well as music by contemporary Scottish composers such as Dougie MacLean and Freeland Barbour.
Sharon Creasey demonstrated the suitability and versatility of the classical Boehm system keyed flute for both Scottish and Irish traditional music, playing tunes in the keys of F and G minor as well as the more common keys. Davy Maguire ended the two-hour concert with inspirational solo sets of flute music mainly from the Northern counties of Ireland.
Sharon Creasey with Claire Hawes and Martin MacDonald (c) John Crawford
Gordon Turnbull (c) John Crawford
A member of the audience remarked on the variety of flute styles being performed, a comment which echoed similar observations at Edinburgh performances. This response highlights one of the reasons for events like this — to hear and pick up on different ideas to take away to your own music. For traditional flute players, who are relatively thin on the ground in Scotland, the opportunity to come together with like-minded musicians is a key motive behind FluteFling events.
Sunday farewell session
Flute session conversations (c) Gordon Turnbull
Just as Saturday evening ended with another fine session and a chance for everyone to be involved and share their tunes and music together, Sunday lunchtime picked up the threads and the tunes and conversations continued where they left off.
This time in the snug of Ma Cameron’s with its fine acoustics, people shared tunes, ideas and tried out different flutes. Making connections and arrangements before having to head home.
Davy and Alice in Ma Cameron’s, Aberdeen
The Sunday sessions are always more relaxed and often sees the emergence of rare musical gems that have surfaced over the weekend.
Thanks again to everyone involved for their hospitality and time. Thanks too to Tasgadh, for helping to fund the event — a memorable weekend to fire everyone up over the winter.
FluteFling weekends 2018
FluteFling Aberdeen will return next year, but before then, the FluteFling Edinburgh weekend will celebrate its 5th year in 2018 and plans are being laid for that already.
There was also enthusiastic discussion of events in other locations and we will also explore those possibilities.